In a bamboo shack on the edge of a beach
He read her ‘The Moor’ by Russell Banks.
It wasn’t the story, although the story is good,
and it wasn’t the way he read it. The Scottish
accent couldn’t quite grasp the Americanisms.
The sures and yeahs became parodies that
brought humour to beauty that didn’t need it.
It was the fact that she lay with her head
on his chest and he felt the rumble of his own
voice and a vibration of words gone before.
The story he read ends full of snow, and they
lay very still, but what to do? how long could
they remain there? So he traced patterns on
her skin with his fingers. And the patterns
became circles and the circles became words
and these actions have a tendency to progress.
He lifted her T-shirt over her shoulders and
we know the rest. There are all types of bodies.
If you’re lucky you’ll find someone whose skin
is a canvas for the story of your life.
Write well. Take care of the heartbeat behind it.
From Dirt (Carcanet, 2016). William Letford reads with Ruby Robinson and Katherine Towers at Upper Chapel, Norfolk St, Sheffield, S1 2JD on Thursday 25 May. Click here for further details. Read the Festival Interview with William Letford here.